DOLI

Bhojpuri
Amar (Rajesh Khanna) and Prem (Prem Chopra) are college buddies, while Asha (Babita) and Shobana (Nazma) become friends. Marriages are arranged; there is a hitch. Dowry is demanded. In Prem's case his older brother, who had resolved never to ask for dowry, is constrained to do so to enable Prem to buy his air ticket to the US for higher studies. Ramprasad, Asha's dad fails to show up for the wedding with the agreed sum, and the wedding is canceled, at the last minute. The amazing thing is that Asha's betrothed never has seen or met Asha, only his parents had. Obedient son that he is, he allows his dad to dictate his actions, and trusts his parents have made the right decision. Prem on his return from the USA has changed for the worse; he takes to drinking, rejects his wife and becomes an office predator, stalking his secretary. She is in love with Amar, but needs the job to help pay off a debt incurred when her father went missing, together with the payroll money he had withdrawn from the bank on behalf of his employer. Asha gamely puts up with the workplace harassment, with a hidden agenda of setting things right for Shobana's marriage. An elaborate charade ensues to teach Prem a lesson in humiliation. When he fails in seduction, is abduction the only option?—MG Gopalan
DOLI

Bhojpuri
UAAmar (Rajesh Khanna) and Prem (Prem Chopra) are college buddies, while Asha (Babita) and Shobana (Nazma) become friends. Marriages are arranged; there is a hitch. Dowry is demanded. In Prem's case his older brother, who had resolved never to ask for dowry, is constrained to do so to enable Prem to buy his air ticket to the US for higher studies. Ramprasad, Asha's dad fails to show up for the wedding with the agreed sum, and the wedding is canceled, at the last minute. The amazing thing is that Asha's betrothed never has seen or met Asha, only his parents had. Obedient son that he is, he allows his dad to dictate his actions, and trusts his parents have made the right decision. Prem on his return from the USA has changed for the worse; he takes to drinking, rejects his wife and becomes an office predator, stalking his secretary. She is in love with Amar, but needs the job to help pay off a debt incurred when her father went missing, together with the payroll money he had withdrawn from the bank on behalf of his employer. Asha gamely puts up with the workplace harassment, with a hidden agenda of setting things right for Shobana's marriage. An elaborate charade ensues to teach Prem a lesson in humiliation. When he fails in seduction, is abduction the only option?—MG Gopalan
4 Modifications
| 26s | |
|---|---|
Insertion Increased the duration of the disclaimer.Increased the duration of the disclaimer to readable time. 01:10 | 6s |
Insertion Added a disclaimer about child marriage at the beginning of the film.Inserted the disclaimer Yeh film Keval Manoranjan ke liye hai. Baal vivaha bhartiya kanoon ke tahet apradh hai Aur iska Film ke Nirdeshak, Nirmata, Kalakar, ya issey jude vaykti baal vivaha ka samarthan nahin karte 01:10 | 6s |
Visual Mod. Blurred and deleted visuals of boys genital part.(A) Blured the visuals of boys genital part shown. (B) Deleted the visuals of boys genital part shown. 08:10 08:44 to 08:57 | 14s |
Insertion Received NOC (No Objection Certificate) from AWBI for the use of horses and cows.NOC from AWBI for use of Horses and Cows at TCR 44:50,1:27:54 | 0s |
Modification summaries are processed by an LLM. For the original modification descriptions, click on the row to expand or visit the E-Cinepramaan E-Cinepramaan page for this film.
- CERT NO:
- CA011008202200464
- CERTIFIED BY:
- Mahesh Y Patil, RO, CBFC, Mumbai